If you’re near Houston, or coming through Houston, before November 6th, and you appreciate artsy things like cool photographs in stark rooms, then I highly recommend the current exhibits, one of Photographer Pelle Cass and his work Selected People, the second of photographer Adrian Fernandez and his work Life Style, and the last but not least Learning Curve 5, an exhibition by Learning Center Students.
For me, the entire reason to go to this exhibit is to marvel at the genius of one print: “Tree”. Pelle Cass has taken the creative possibility of technological medium and struck artistic gold with his process of photographing the same scene and angle over and over and over and then digitally sampling in the multiple subjects that crossed through that scene. What you end up with is a photograph of a park in Boston filled with dozens of people that are all taking photographs at the same time. Or perhaps you’re looking at a picture of a busy city staircase, full of people going about their way. Your gaze is held by the photo, though you really can’t say why. After a minute’s processing you realize that all the people in the photo are women, and they are all right in that moment of stepping from one step to the next, down the staircase. And you wonder, did he synchronize this? Did he co-ordinate some sort of photographic flash mob? “All of you women, of different creed and age and race, descend the staircase – step down from the step… NOW!” Click. >Flash<
And now I can explain the print that I am mad for: Tree. An old, gnarly, sprawled out tree in a cold Massachusetts park, covered in squirrels and pigeons. With dozens of multiple time exposures Pelle Cass has created a single scene of a Tree overrun by squirrels and pigeons in such a way as to invoke in me divine insight as to why my desk looks the way it does. When I look at this photograph, I understand why I can’t choose between green sauce or red sauce on my monster burrito, and I see that there’s only one real optimal path in climbing a tree.
It would be an insult not to mention the other work. Adrian Fernandez‘s work in Life Style was both compelling and a little beyond comprehension. Of special note for me was the seamless blending of the color pallets between the subjects of plastic fruits and plastic flowers and their backgrounds of vinyl wallpaper and table cloths. The seamless blur between artificial and reality that he brought to these photographs confused my mind and made my mouth salivate for apples that were plastic against a background that was polyester and artificial.
Be sure to check the Houston Center for Photography website for dates and times.